Ayalaan Movie Review: Sivakarthikeyan, Extraterrestrial Adventure, Visual Spectacle, Film Analysis.
After enduring numerous delays, Sivakarthikeyan makes a triumphant return with the eagerly awaited alien sci-fi movie, Ayalaan. Released in both Tamil and Telugu, the film presents a unique blend of extraterrestrial wonders and human tenacity. Offering a distinct cinematic experience, Ayalaan seamlessly merges the realms of science fiction and unwavering determination.
Director R. Ravikumar's recent venture, "Ayalaan," is a sci-fi spectacle that excels in precision to detail, simplicity of ideas, and top-notch visual effects (VFX). Overcoming the common pitfalls of getting lost in translation or losing interest due to subpar VFX, Ayalaan successfully navigates these challenges. The narrative unfolds in Tamil Nadu, staying rooted in the region while weaving a tale of human prejudice and the challenges faced by an extraterrestrial being. The film, featuring Sivakarthikeyan in the lead, not only establishes a connection with the audience but also evokes emotions such as empathy. The comedy elements, skillfully woven into the storyline, contribute to the film's highlight, providing moments of humor at just the right time.
The storyline revolves around a farmer portrayed by Sivakarthikeyan, who ventures into the city in search of better financial prospects. There, he encounters an alien determined to save Earth from impending destruction. As a formidable businessman, Aryaan (Sharadh Kelkar), aims to extract resources deep within the Earth for future fuel, Sivakarthikeyan and the alien join forces to thwart his plans. However, Aryaan has grander ambitions, setting the stage for the rest of the story.
The film's first half emerges as its strength, introducing the alien's perspective on life on Earth and injecting humor through well-timed one-liners from supporting cast members like Yogi Babu and Karunakaran. However, as the story transitions into the second half, it shifts into action mode, exploring multiple plot elements such as Aryaan's quest for invincibility, Sivakarthikeyan's transformation into a superhero, the alien's loss of powers, and the city's struggle with the consequences of a gas leak. This shift introduces several disconnected elements, including scenes of a child with cancer and a subplot involving an industrialist turned arms dealer, causing the film to lose its core plot.
The portrayal of women in Ayalaan comes under scrutiny, with Rakul Preet and Isha Koppikar's characters feeling undeveloped. Their roles seem superficial, with unclear professions and limited impact on the overall narrative. The film, despite its references to director Shankar's pioneering VFX work, stumbles in certain aspects of character development and storytelling.
Acknowledging its strengths, Ayalaan impresses with its stunning VFX shots, a testament to R. Ravikumar's direction. AR Rahman's music, while adding contemporary beats, falls short of the high standards set by his compositions in other sci-fi films. Siddharth's voiceover for the alien character receives praise, along with the effective use of colloquial dialogues.
Sivakarthikeyan delivers an effortless performance, seamlessly transitioning between a supporting role for the alien in the first half and taking the lead in the more action-oriented second half. While Ayalaan showcases the right blend of a compelling story and impressive VFX, the narrative could have benefitted from more nuanced storytelling to match the visual excellence.
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